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This coming
Sunday evening is the annual Academy Awards extravaganza and the film, Life of Pi is up for 11 of them. I read the book Life of Pi when it first came out ten years ago and loved it,
especially the narrative of the protagonist’s journey through Hinduism,
Christianity and Islam. I was
somewhat reluctant to see the film because films almost always disappoint when
the book was really good, but to my delight, this film is very nearly as good
as the book. The Hindu Christian
dialogue group here in Rochester decided to see the film and to use it as the
basis for our February discussion.
I wondered as I watched the film how we Christians and Hindus might
react differently to it, and whether our different religious perspectives,
formed by different narratives and sustained by different practices and
rituals, would impact how we interpreted the film.
We had a
meandering discussion of the film, surprisingly not focusing much on which of
the two endings was “right” or which version of the survival tale we thought
was the “real” one. Having read a
number of reviews of this film and accompanying comments, I notice that
agnostic/atheist/humanist folks tend to prefer the “humanist” story, the second
version that Pi tells to the Japanese insurance agents at the end, while
religious people are much more comfortable with either story and with the
ability to choose which story they want to “believe.” For religious people, the “truth” is not based on empirical
facts – was Pi in the boat with the Bengal tiger or was he actually alone and
the Bengal tiger then represents aspects of his own inner self? In our dialogue group, most of us are
“religious” - Christians and practicing Hindus- so the idea that a story might
be metaphorical while conveying “truth” is not difficult for any of us to
swallow.
We all could
agree that the second story, the one where Pi is alone in the boat, is not
really different from the first story, where Pi is surviving the 227 days at
sea alongside a predatory Bengal tiger because we can accept the idea that the
Bengal tiger, “Richard Parker” is symbolic of Pi’s inner “demons” or inner
impulses towards aggression, domination, power and ruthlessness. All religious traditions provide ways
for human beings to conquer their own ego, to learn to tame the ego’s
insatiable need for gratification and tendency towards aggression, so as to
survive in society. Either
“ending” of the Pi story resonates for religious people, one providing a well
crafted myth that explains the human condition in metaphorical terms, the other
offering a more stripped down, factual account of the basic human existential
crisis of survival. Oddly
enough, for religious people, both versions of the story are true and equally
believable.
For the
Christians in our group, the story of Pi was reminiscent of the book of Job in
the Hebrew Scriptures. Pi, like
Job, lost everything that mattered in the world to him. Home, family, personal safety and well
being – all gone in an instant and the survivor left to manage on the basis of
his own wits and reason. Like Job,
Pi remained faithful to God throughout the ordeal, even when he was most
emaciated and distressed, hungry, weak and near death. And, like the story of Job, in the end,
Pi, who lost everything in the shipwreck that took his family, is restored with
a wife and family of his own, in the “new world” of Canada where he finally
arrived after his rescue off of the Mexican beach.
The protagonist
in the film, the adult Pi who recounts the amazing story of his experience at
sea with the Richard Parker, the Bengal tiger, tells the Canadian author to
whom he offers the story that his tale would make him believe in God. Pi, a Hindu Christian Muslim, is devout
and faithful to God in many of God’s manifestations and is very much aware of
the presence of God with him throughout the ordeal. Both the Christians and the Hindus in our dialogue group
could resonate with Pi’s faith in God and his resilience in the face of fearful
challenges because of that faith.
Pi’s approach to the world is one of wonder and awe, even at those
aspects of creation and the created order that are most brutal and threatening. Pi is always sure of the existence of
God so even when his world disintegrates he has the inner ability to survive
against all odds.
Where the
Christians and Hindus in our group did see things differently was the portrayal
of Pi as a Hindu Christian Muslim.
For Hindus, the idea that the protagonist could simultaneously be a
practioner/believer of three major faith traditions was not at all
surprising. Hindus are the
original “pluralists.” They have
no trouble accepting the idea that one person could identify himself in all
three traditions, since Hinduism recognizes millions of manifestations of God
and contains within it such enormous diversity of belief and practice that for
a person to take on Christianity and Islam on top of Hindu beliefs and
practices does not pose any theological, philosophical or practical problems.
The Christians in the group made note that our tradition does not allow for
quite such multiple belonging, because the theological claims of Christianity
are sufficiently exclusive that it is difficult to claim to be both Christian
and something else.
Our Hindu members say “We’re all going to the same place, we are all
worshipping the same God, we just use different methods to do so.” Christians who consider themselves
theological pluralists can agree with that Hindu perspective, but also recognize
that much of the Christian world is less able to take such an expansive,
pluralistic stance. Indeed, Christians are more likely to point out real
differences of belief that make it difficult for most Christians to straddle
more than one religious tradition at the same time. Hinduism, a religion marked by diverse and varying practices
supported by a sophisticated philosophical world view is more able to manage
both/and thinking and “double belonging” while Christianity, with its tendency
to emphasize right belief – orthodoxy- is less tolerant of multiple
belonging.
That Life of Pi has been so popular is testament to the global interfaith awakening that is happening in our modern world. As Diana Butler Bass has written (Christianity After Religion) we are in a period of a Fourth Great Awakening and this one is global and interfaith. Life of Pi exemplifies this new interfaith consciousness as it features a hero who straddles three major faith traditions, finding wisdom and strength and value in all three. The fact that he intentionally identifies himself with all three also suggests that he understands the differences between them and finds richness in those differences. He doesn't homogenize the traditions - he partakes of the nuances of each one.
That Life of Pi has been so popular is testament to the global interfaith awakening that is happening in our modern world. As Diana Butler Bass has written (Christianity After Religion) we are in a period of a Fourth Great Awakening and this one is global and interfaith. Life of Pi exemplifies this new interfaith consciousness as it features a hero who straddles three major faith traditions, finding wisdom and strength and value in all three. The fact that he intentionally identifies himself with all three also suggests that he understands the differences between them and finds richness in those differences. He doesn't homogenize the traditions - he partakes of the nuances of each one.
The Life of Pi is a compelling and haunting
film. There are multiple layers of
meaning in every scene. For people
who consider themselves religious in whatever tradition, it is particularly powerful
as it captures the raw brutality of the worst of human nature while
simultaneously celebrating the salvific power of religious faith to triumph
over the death fearing norm of biological existence. Whatever the Academy decides on Sunday night, Life of Pi is an important and powerful
film, a latter day piece of “scripture” conveying time honored truths about
human beings and their “God.”